It was late afternoon on the set of Futurelife’s most recent commercial and it was going badly. We could not get our hero shot because one of our three characters, a four year old, was permanently scowling. The breakfast scene necessitated a radiant smile that we knew she had in her. While she had seemed an utter delight during casting, responding brilliantly to direction, under the bright lights of set, surrounded by strangers (one of whom was pretending to be her mother) and forced to sit next to some one year old she’d never met, she was now in a constant, immovable state of gloom, take after take. As a director you can begin to feel pretty powerless in situations like this. Here’s how we got through it: